Venerable City: Persepolis, Fars Province, Iran



Thirty miles north-east of Shiraz, in Fars province, lies a vast stone platform covering an area of over a million square feet, atop which stand the remains of Persepolis, one of Iran’s greatest archaeological treasures, declared a UNESCO World Heritage Site in 1979.

Known to the ancient Persians as ‘Parsa’, the city is now recognised internationally by its Greek name, which translates as ‘Persian City’ or ‘City of the Persians’. Persepolis was constructed over a period of sixty years, starting in 518 BC during the Achaemenid Empire (c. 550–330 BC). Inscriptions on some of Persepolis’ buildings indicate that Darius I was the ruler responsible. It is believed that it was primarily used as a ritual or ceremonial complex and as a treasury, and mainly during the spring and summer months. It may have been the place where people gathered to celebrate Nowruz, the Persian New Year. Even today, thousands gather at Persepolis to mark what is still an important Iranian holiday.

Whilst the various mud-brick palace buildings within the citadel are long gone, stone door frames, columns, and friezes have survived. They tell a story of empire, of different languages, styles, and nationalities. Inscriptions found at Persepolis are written in Old Persian, Elamite, and Babylonian; and Egyptian, Mesopotamian, and Greek stylistic elements are incorporated into the complex’s construction. Stairway reliefs depict peoples of the Persian Empire including, amongst others, Medes, Egyptians, Lydians, Ethiopians, Thracians, and Assyrians, recognisable by their distinctive dress and forms of tribute. These representatives would pass through the so-called Gate of All Nations en route to an audience with the King of Kings in the Apadana Hall. I cannot claim to know a great deal about the Achaemenid Empire, but it would appear that at its height in the fifth century BC, it ruled 44% of the world’s population, a feat unmatched by any other empire. It was a cultural centre for art, religion, science, and technology, and for trade. Religious tolerance was practised (as long as you paid your taxes), and women were surprisingly free, able to own and manage large estates and workforces and work alongside men as merchants, artisans, or labourers. They also received a good education, even including horsemanship and archery. Peasants could own their own land, and even slaves were better treated than anywhere else in the ancient world. I’m sure things weren’t perfect, but then, neither are we, and everything is relative. This was rather a long time ago.

Sadly, all this magnificence and progressiveness had to come to an end, as with all empires. In the case of Persepolis, in 330 BC, Alexander the Great sacked the city and had it largely burned down and destroyed. Naturally, he made off with plenty of booty, and allegedly thousands of mules and camels were required to transport it. Accounts vary as to why the complex was burned. It may have represented a deliberate attempt to destroy a symbolically important location for the Persians, or it may have been an act of revenge for the Persian destruction of the Acropolis of Athens. It has even been suggested that the Greeks were drunk, quite literally, on their military success, and that the fire was an accident brought about because the victors were smashed.

Despite its destruction, Persepolis remained an important cultural focal point in Iran throughout the centuries. Medieval Persians referred to the ruined city as Takht-e-Jamshid, meaning ‘Throne of Jamshid’, since they believed it to have been built by a mythological king called Jamshid, who supposedly ruled for three hundred years. Iranians still refer to it by this name today. Excavation attempts began in the seventeenth century and continue to this day. Persepolis’ significance in Iran’s history and national consciousness was evident when, in 1971, it was the site of the 2,500-year celebration of the Persian Empire, presided over by the then Shah, Mohammed Reza Pahlavi. Many heads of state from around the world were invited to attend this lavish and costly festival at a time when millions of Iranians were living in poverty. Whilst some historians believe the extravagance of the event was exaggerated by the Shah’s enemies to foment discontent, it’s undeniable that the optics of such decadence were not good and may well have contributed to the Shah’s downfall in 1979. You can still see the skeletal remains of the vastly expensive tented city erected for the celebration at Persepolis. They stand as a testament to folly and hubris, right next door to Darius I’s ceremonial capital, from which Persian rulers presided over one of the greatest empires the world has ever seen. Oh, the irony.

Persepolis was a stunning place to visit and one of the most memorable destinations for me from my trip to Iran a few years ago. It really is a wonder of the ancient world, and I hope you may be able to get some idea of what it’s like from the photos shown here. I also managed to find a good video showing a reconstruction. If you haven’t done so already, and if you ever get the chance, it’s well worth seeing.

For more information: Persepolis - World History Encyclopedia


above: Video showing reconstruction of ancient Persepolis.

above: A modern and temporary addition to Persepolis!



above: Faravahar, symbol of Zoroastrianism.

above: Persian soldiers.

above: We were told that the tiny figure in the middle of this wheel is a pregnant woman, the only female figure portrayed in Persepolis.

above: Immortals figures, Apadana Palace. The Immortals were imperial guards.
                       
above: Armenian delegation bearing wine gifts.

above: Relief from Apadana Palace, showing Lydians and Armenians bringing wine to the king.

above: Scenes of lions attacking bulls likely represent the Zoroastrian symbols of the lion (for the sun and summer) overpowering the bull (symbolising the rainy season), or they can be read as a struggle between the noble and the base. These are the only scenes of conflict to be found at Persepolis.

above and below: Door jambs showing the king at the top and the imperial armies below. 


above and below: Persian dignitaries.


above: Huma bird figure.

above: Hybrid lamassu figure guarding the Gate of All Nations.

above: Gate of All Nations.


 

Comments